Renaissance Fair Plein Aire Event

The procession to the art auction
the art auction,proceeds went to Variety, a children's charity

Bristol Renaissance Fair

I'd like to share a few photos from this past weekend plein air event which took place at the Bristol Renaissance Fair. As a participating artist, I have to say it was one of my most pleasurable plein air experience. Everyone connected with the Bristol Renaissance Fair including the visitors, were happy to be part of the fair experience. Their enthusiasm was infectious. It made painting in the heat and huge crowds easy and very very fun. It isn't everyday that an artist converses with medieval gentle persons about her paintings.
The event concluded with an art auctions. Proceeds went to Variety, a children's charity for physically disabled. The renaissance actors carried all the paintings in a procession through the fair grounds to the large theatre were they continued, in character, to auction "the queens art." Unsold paintings will remain on display until September 6, 2010.
"Banners Way" "Dress Up" "Sweet Meats" oil 6"x8" plus frames (sold)

etc. again

So I'm really enjoying my little pochade box. Besides being so handy that it can easily fit into any small bag/purse since it's only 5"x7", it gets me out of the studio faster and allows me to paint more inconspicuously while jotting quick color and value notes in oil. The second photo shows the pochade strapped to my leg instead of hand-held. I came home from work and saw the beautiful shadow crossing my neighbors side door and had to try to catch it.

I'm still obsessed with poppies and thought I'd post a few more of my efforts. The close-up is 8"x8." The last painting, but not the last in my poppy series, is my attempt at inventing a flowing and slightly rolling meadow punctuated with mostly poppies. It's 24"x24," love that square format. If you go to my Etsy site you'll see a few more example of my poppy paintings that I favor. (http://www.susanhongsammons.etsy.com/)

"Mac Red"

This was a temperature study. And I took artistic license by amping up the "heat", the temperature, of "Mac Red."

8"x8" ($149.)

Value & Temperature Studies

Thought I'd post a few recent studies I've been working on inspired by taking a four evening workshop with Clayton Beck at the Palette and Chisel.

Clayton challenges us to pick just one issue to tackle instead of going through our mental list of many art elements which we might personally feel necessary for a good painting. Also, finishing is not important or even on "the list" which is great since the workshop meets for only 3 hours and includes his excellent mini demos as well as lots and lots of information.

For this portrait study of a man I chose to sit on his lit side. The values here were compressed to basically one value. So in order to describe form, I needed to focus on temperature changes but keep the values the same, or very close. Clayton recommended that I find the middle temperature and work out from there. I found this thought processes really exciting and so fun. So of course the hours flew by much to quickly.

This young gal gave me more trouble than the man. I should have just dealt with just value and the temperature issues would have developed naturally. From now on I'll know just to pick one issue to deal with when in open studio. This should have been a value study and not, value and temperature study.

Both head studies are slightly smaller than life size.

If you're visiting Chicago, take the time to stop by the Palette and Chisel Academy of Fine Arts and Galleries. It is one of our nations oldest, (if not the oldest) not for profit art organizations. Besides have over 60 hours a week of live model open studio time, which is free to members, it also has a main floor gallery, low cost studios, sculpture house and studios, and workshops all housed in a three story Italianate mansion purchased by members in 1921.

City Art Gallery, Greenville, North Carolina

"From Coast to Coast and in Between"
Opening January 15th.

As I said in my last post, I'm in a show which opens on Friday. So I'm continuing with a few more oil paintings from this exhibition. City Art Gallery will be highlighting over twelve of my paintings. I'll be showing with artists Tjasa Owen from San Francisco, Tim Kennedy of Indiana, and Sallie Benton from New York.
http://www.cityartgreenville.com/

"Shimmering Lights"
30"x24" oil on linen
$1900










"Suspended Animation"
24"x13" Oil $1200.

"Buddies"

12"x12" Oil $845.

It's minus 20 degrees windchill so why am I posting a summer lighthouse scene??? It's because I love being holed up in my studio with the sounds of the winter wind and sleet hitting my window. It's so nice and cozy in my studio. As soon as I can, I hope to be back outside painting the silvery winter air but for now, I'm posting something I tried to repaint from a smaller plein air study.

"Brave Heart" 40"x30" oil

My daughter's passion is her love of horses and writing (visit her blog, www.aspiredauthor.blogspot.com). So this painting is for her. She loves this horse called Brave Heart. I think he's quite awful as he has thrown her quite fiercely a few time, once destroying her helmet. But she loves him so what's a mother to do, ...besides move her to a different riding school which yes, I confess I did.

"Hero's at Zero's" 14"x11" oil

Trying to capture a teenage in paint, from life, is like trying to paint a toddler. They are never still even while watching t.v. But just like sketching with charcoal I find it really rewarding to sketch in oils, although it's hit or miss if the sketch becomes worth saving. Here's another in my blop series.

December 5 from 2-7. If you're near Chicago, come to the Beverly Arts Center for a one day art sale/fundraiser. Karen Phipps and I will be their with paintings as well as painting plein air near or inside the center.

9"x12" oil on linen mounted on hardboard

I set up this still life with the opposite intent of the previous posting. I used dramatic lighting with definite shadow and lit areas and placed most of my objects in the light except for one apple. Also, after painting several still lifes with minimal color and in the lighter end of the gray scale, I was after a louder and more dramatic idea. Besides using the contrast of shadow and light to create my "loud-er" still life, I thought if I placed color notes which sit close together on the color wheel I'd get more zing, a "hey look at me," which is why I used my favorite piece of copper with the red delicious apples. Placing the green grapes (so hard to paint) behind was my neutral and transition into the background space.

Still looking at David Leffel, Jeff Legg, Henri Fantin-Latour, and my new addition this week - Morandi. Teaching gets me back into still life painting because it's a great way to study all those juicy art issues in the comfort of my studio. But I am missing the great outdoors particularly since we're now blanketed in heavy gray skies. Once I finish painting for my January show I'll be back to plein air painting.

16"x20" oil

Playing around with atypical lighting for me. This still life was mostly in light using lighter fabric. I'm not sure if I'm finished because I'm wondering if I compressed the values particularly in the background and tabletop drop, would it make a stronger statement??? I've been re-reading David Leffel and Gregg Kreutz books as well as looking at Henri Fantin-Latour still lifes. From them, I'm guessing the answer is "yes."

Peonys in Buds

"Peonys in Buds"
14"x11"
oil on linen

Over the weekend I was finishing several different still lifes and also repairing this painting which I liked but not quite, know what I mean? I really wanted the peonys to pop and didn't feel they were as strong in the original painting as they could be. So what I decided to do was compress the value in the background as well as go a bit darker and cooler. Also I was more decisive with the lighting on the surface which the vase sits. Now I'm happy with it. Which version do you prefer?