It's minus 20 degrees windchill so why am I posting a summer lighthouse scene??? It's because I love being holed up in my studio with the sounds of the winter wind and sleet hitting my window. It's so nice and cozy in my studio. As soon as I can, I hope to be back outside painting the silvery winter air but for now, I'm posting something I tried to repaint from a smaller plein air study.

"Pond Gazing" (Caldwell Lily Pond, Chicago)

Caldwell Lily Pond is another favorite retreats of mine, not just for painting but for day dreaming too. The textures in this smaller city lily garden always change and the sounds of the city itself is greatly muffled by the thick grasses, shrubs and trees. So this morning I headed here to paint and also, to embarrass myself. I'd been painting about an hour totally focused on my work and enjoying the secluded little nuck I had planted my easel when I heard a group of people approaching, loudly. It was so out of place because people always are so quiet when wandering through these paths. Of course they parked themselves as close to me as possible all the while talking excitedly. Before I knew or even thought about it I "shhhhed" them all in this awful snake-like sound. I was immediately ashamed and apologetic but one can't take back a shhhh. It's just out there. Fortunately after a quiet moment they started to laugh and apologise back and so, all ended well. But I'm still really embarrassed that I did that. They were just so happy and excited to be there together in this beautiful place.

As for the painting, the lily pads are almost all gone. Some remain in almost a skeleton form floating on the surface. But I felt the colors were more varied than in the summer when the lily pads are dark greens and cover the water almost totally. This one is larger, 8"x10." Also painted on oil primed linen mounted on board and created with a palette knife.

Anyone else willing to share an embarrassing plein air moment???

"Lotties"

I'm going on another trip back east so this will be my last post until I return home.

Lottie's is a neighborhood bar in Bucktown. Cityscapes create so many questions. It seems to me the longer I study painting the more questions I discover.

"Mickey's" 8"x6" Oil on Linen

I love this austere-looking corner pub for several artistic reason but also because it contrasts with the "fellowship" which happens within its walls.

This morning I had the company of two other Plein Air Painters of Chicago, Ellie and Karen Phipps (check their blogs for their take on this location). We had to paint very quickly as the lit side soon move into the shadow side of the building.

Although the bright morning sun made the shadows in general cooler, the red brick was relatively warmish with a purplish cast. The shadows on the sidewalk and road were much cooler than the shadow-side of the building.

Normally I don't sketch first rather I start with large masses of color and value. But for this piece I did "draw" with paint to create and redesign (just a bit) the angles of the roof tops to enhance my design. I really liked how the buildings pop against the sky.

I used two differnt sizes palette knives and my largest round bristle brush. No medium, just lots of lovely oil paint.

We still plan on getting some night painting done so please stop by again soon for those postings.

I'm off to paint with the "Fernwood Ten" in Niles Michigan. If you click on my events listings you'll see their beautiful website. In addition to a paint-out, the Clark Gallery will be showing six of my landscapes through the summer. Preceeds from these sales assist in operation costs of the Fernwood Botanical Gardens and Forest Preserve.

"Corner Pub"

Plein air painting this morning was really great because Karen Phipps and I tackled the same corner = excellent discussion on many painting issues such as; is the light warm, are the shadows cool, what temperature is that colored wall, composition etc. And on top of all that, I'm still painting on this smaller size but trying to convey a big feeling. In otherwords, though it's only 8"x6," if painted well, it should command attention from quite a distance.

Amusing and interesting trivia regarding this pub at http://www.chibarproject.com/Memoriam/Rich%27s/Rich%27s.htm

8"x6" ($99./$145. framed)

0il on linen mounted on archival museum board

"Swan Pond"

This area is normally a grassy park but because of all the rain the river has flooded this area. I've been told it's a natural protection which Frederick Olmsted, the developer of my town, incorporated into his design.

So here is another study on reflections. It's so easy for me to get lost in all the complexity of so many colors and shapes but a problem I am enjoying learning to solve.

6x8 Oil on Linen ($99. w/frame)

Private Interior

I've been making a lot of horrid messes this past week both in my studio and outside with my plein air efforts. These are the only two pieces I feel are "blog-worthy." But I'm not going to stress about it and after I finish my mega mug of java I'm hitting the streets to try try again.

Here's my/Churchill quote of the day, "out of extreme complexity emerges extreme simpicity."

One of my former roomates use to wisely say, "keep it simple stupid." The stupid part may sound harsh but she directed at herself. But with my many different subject matters; still life, plein air, figures, portraits, I do think it's important to simplify the shapes.

plein air musings plus

The following are some pieces I did outside of my studio. I'm still working on the theme of painting- that -which -normally -doesn't -get -a- second -thought but, I find particularly beautiful.

"Blu Where There Shouldn't Be"
6"x8" Oil










On this morning the weather went from sunny and warm to dark and rainy to sunny and, well you get the picture. It really wasn't the best idea to pick reflections on those conditions. Again I struggle with getting too expressive and loosing the bit of form which gives the viewer a clue as to the fact that it is reflections in water and not purely an abstraction painting.







"River North" (Unfinished)
The sun was out, it was warm for the first time in weeks and weeks so instead of finishing the piece I was distracted by the day.

okay so this isn't a plein air piece but she is "musing" about something.

12"x9" head study in oil w/ a limited palette

Waterway - City Colors Series

Painted on another typical wintery Chicago morning standing on a bridge looking down the river. It was nice and foggy when I started but that burned off so I elected to stop the painting at this point.

shoreline study

This was painted on a Saturday morning along lake Michigan in Chicago. There were piles of frozen snow and as well as sand. Texture and edges was what I was concentrating on with a palette knife this very windy February morning.

8"x10" oil study ($90.)

"Winter Passage"

I love to paint. So instead of playing on the computer and keeping my website and blogspot updated, I've been painting. Getting on the computer eats my painting time. Anyone else have this problem?

This painting was done right around the corner from my home. The long cool shadows and the warm brush caught my eye. But someday I'm going to return to paint this elegant corner building. Someone told me it was originally a bar about 100 years ago.

10"x8" Oil on Linen ($190.)

p.s. see Karen Phipps 2/11/09 painting. She's standing about 40 feet behind and down hill from me. I'm in her painting, painting this piece.

"January" (North Pond)

This is the same spot as the last post but looking more towards the right. Can you feel the cold? It was just getting ready to snow again so the light was a beautiful silvery gray. This made the colors really pop in an otherwise dreary gray winter scene.

8"x10"

Oil on Linen

($99. oil study)

January (North Pond)

The best way to shake away the winter blues is to plein air paint along a half frozen lake, just kidding - sort of. After spending so much time with wonderful family and friends, January 6 was rather depressing until I started painting again. Even though my toes froze and the wind bite my cheeks, I loved the colors you see on a cold, gray, winter day. The sky had these amazing warm tones however very subtle and the snow reflected the cool light of the day. fun fun fun

8x10

Oil on Linen

"Raw" - value study

Painted, or rather tried to paint, in minus 5 degree windchill. That's why today's value study is a bit "raw." I actually learned more about how to paint in the cold so next time I won't feeze quite as badly. This was a corner in Chicago in the area called Bucktown .

7"x5"

Oil on Linen (mounted on museum board)

On a different note---

I put a still life on ebay, listed on my blog Dec. 4, 08. Part of the sale goes directly to the Breast Cancer society.

City-scapes/Value Studies

It's a luxury to be able to paint for myself. So once again I'm concentrating on value because I feel if the values are off, the painting is weak and spoiled. This is the same intersection, painted an hour apart during the morning rush. I used only black and white oil paints.

7"x5"

Oil on Linen

"Over the Bridge"

Why I thought I could start and finish a 16"x12" painting on a cold November day...

Going to try it again on a smaller canvas so I can finish it in one session.

16"x12"

Oil on Linen

($190. oil sketch)

untitled

A fall storm is about to hit. Actually the chill feels like winter is right around the corner. I used only one brush because I was so cold I think I was frozen stiff. Maybe I'm getting to old to plein air paint in the winter.

8"x10"

Oil on Linen

($145.)

"The Green Bridge"

Painted this during the last bits of our beautiful fall weather. My daughter wrote (& published) a poem about this bridge which is in our town. I've included a few lines,

The Green Bridge isn't any ordinary bridge

It links us from the busy town to the gracious woods

It allows us to be bathed by the sunlight or calmed by the whispering wind

The bridge sways as the breeze whistles

No work, no insults come to mind

The feeling is like none other than love for the nature...

...of the Green Bridge.

12"x9"

Oil on Linen

www.hong-sammons.com

"Fallen Oak"

This is something I've been wanting to paint for over three years. I don't know when this mighty tree fell but I'm glad that "they" have not remove it. Painted once again with my new favorite tool, a #10 round brush.
8"x10"
Oil on Linen
www.hong-sammons.com

"Red Oak"

For several months I've been painting with a palette knife but today I used a large round bristle brush. I have a coffee can container of brand new round brushes which I've never used. They've been sitting in my studio for at least 15 years. I liked how I could load up this brush with a ton of paint, make broad strokes, and also had the flexibility to make very delicate small marks.

8"x10"

Oil on Linen

($165.)