Painting Fall

The change of seasons makes it doubly fun to return to my favorite paint spots. All of a sudden it is something completely new to paint. These three pieces were painted one chilly morning last week. It was so cold I had to pull on my winter paint coat and gloves. The added challenge of this morning was that the sun tried to come out but mostly stayed darkly overcast.
Initially I thought I would do a value study using only Ultramarine Blue and Oxide Red but towards the end of each study and added Yellow Ochre Pale. And instead of using my favored palette knife I used a brush. I toned my canvas on location so that I could pull out my lights without adding white to my palette.
(6"x8" oil $99. each)

"Pond Gazing" (Caldwell Lily Pond, Chicago)

Caldwell Lily Pond is another favorite retreats of mine, not just for painting but for day dreaming too. The textures in this smaller city lily garden always change and the sounds of the city itself is greatly muffled by the thick grasses, shrubs and trees. So this morning I headed here to paint and also, to embarrass myself. I'd been painting about an hour totally focused on my work and enjoying the secluded little nuck I had planted my easel when I heard a group of people approaching, loudly. It was so out of place because people always are so quiet when wandering through these paths. Of course they parked themselves as close to me as possible all the while talking excitedly. Before I knew or even thought about it I "shhhhed" them all in this awful snake-like sound. I was immediately ashamed and apologetic but one can't take back a shhhh. It's just out there. Fortunately after a quiet moment they started to laugh and apologise back and so, all ended well. But I'm still really embarrassed that I did that. They were just so happy and excited to be there together in this beautiful place.

As for the painting, the lily pads are almost all gone. Some remain in almost a skeleton form floating on the surface. But I felt the colors were more varied than in the summer when the lily pads are dark greens and cover the water almost totally. This one is larger, 8"x10." Also painted on oil primed linen mounted on board and created with a palette knife.

Anyone else willing to share an embarrassing plein air moment???

River Side Findings

Last night I was again at my new favorite spot to paint, along the river's edge. The river has finally receeded to reveal the rocks and the ground dry enough for me to walk. It was a nice surprise to see these wild flowers blooming in more than a foot of water. Just you in case you can't tell, the blops are suppose to be rocks. I think these rocks were placed here to prevent the riverbanks from washing away.
It was dusk when I started so I painted quickly with a palette knife and hoped my first strokes were accurate because there wasn't time for correcting.
6"x8" Oil on Linen

"Scalawag Onion" (sold)

I love shopping at neighborhood farmers markets because they often have veggies that I normally don't see in my local grocery. Although green onions are very common these were so wild, fresh, and colors intense that I thought they'd make a nice study. The roots were long and had a life of their own which inspired the title of the painting. This is mostly a palette knife painting although I did use a brush in areas were I needed to tame down the rougher palette knife strokes. 6"x12" oil on linen

"Jazz Note"

After spending days working in a more thoughtful manner I seem to really need to do something more expressive and free. I'm glad to have a variety of excellent models with original flair.

20"x10" Oil on Linen (NFS)

On the Shore

In the evenings I've been playing with small format figure paintings which I recently called my "blop paintings." I'm really having fun in my own little bubble. They seem to work best if I'm working directly from life but that's not always possible so I've started taking a gesture from another painting and using it all on it's own, also working from my horrible little scribbles and photos.

A new collector of mine recently framed four to hang as a grouping. It gave me a boost to see them hanging and revitalizing that space in her home.

This is 6"x8." Which is the largest I think my "blop" paintings should be.

Private Interior

I've been making a lot of horrid messes this past week both in my studio and outside with my plein air efforts. These are the only two pieces I feel are "blog-worthy." But I'm not going to stress about it and after I finish my mega mug of java I'm hitting the streets to try try again.

Here's my/Churchill quote of the day, "out of extreme complexity emerges extreme simpicity."

One of my former roomates use to wisely say, "keep it simple stupid." The stupid part may sound harsh but she directed at herself. But with my many different subject matters; still life, plein air, figures, portraits, I do think it's important to simplify the shapes.

plein air musings plus

The following are some pieces I did outside of my studio. I'm still working on the theme of painting- that -which -normally -doesn't -get -a- second -thought but, I find particularly beautiful.

"Blu Where There Shouldn't Be"
6"x8" Oil










On this morning the weather went from sunny and warm to dark and rainy to sunny and, well you get the picture. It really wasn't the best idea to pick reflections on those conditions. Again I struggle with getting too expressive and loosing the bit of form which gives the viewer a clue as to the fact that it is reflections in water and not purely an abstraction painting.







"River North" (Unfinished)
The sun was out, it was warm for the first time in weeks and weeks so instead of finishing the piece I was distracted by the day.

okay so this isn't a plein air piece but she is "musing" about something.

12"x9" head study in oil w/ a limited palette

plein air paintings

"Still Waters" Oil 6"x8" ($145.)


I made these paintings over the last couple of days and decided to post them together. The theme is paint-what-normally-doesn't-get-a- second-glance.

The river flooded but has started to recede leaving pools of water in the woods. It has opened a whole new world of painting possibilities. I hope to paint more before it all dries up.




"Reflections of Blu Skies" Oil 6"x8" (sold)

I never knew how much a blue sky could change the colors of muddy water.
















"Morning Glow" Oil 8"x6" ($145.)

Tried to capture the sun light as it just starts to touch some of the buildings in the morning. Normally I focus on the watertower which is shown to the right but cropped off. The smaller surrounding buildings have much charm themselves so I hope to paint them from different angles.

can you guess what it is???

Yesterday I finally got to paint this area that I pass by daily but haven't found the time to stop and paint. My primary concern was to create a simple simple composition/design with my subject matter. But now I'm wondering if the simplicity made it too abstract. If so, I probably should consider painting in a more highly realistic manner and minimalize my loosy-goosy style. So, can you tell what it is I painted???

6"x8" oil on linen mounted on 6 ply archival museum board

I love quick sketch in oils. This is one of my favorite models. She's long and lean with a pixie-like personality.

12"x6" oil on linen NFS

"On the Dance Floor"

I painted this from a small "blop" painting and added more of the floor because I wanted to show the dramatic sun-spot from the large window. I'm a bit concerned that I elongated her body a bit too much. What do you think?

11"x14" oil on linen

blop,blop, blop

This is a tiny piece and done quickly before the teen bounced off to do whatever these kids do. My hope was to get the size and placement in that bit of light from a side window, as accurately as possible. I'd like to do more of these "blop" pieces and then see if I can successfully make them larger in my studio. I call them blop pieces because that's what I feel like I'm doing, just blop in the values in the right place the first time cause there's no second chance.

6"x4" oil on linen

shoreline study

This was painted on a Saturday morning along lake Michigan in Chicago. There were piles of frozen snow and as well as sand. Texture and edges was what I was concentrating on with a palette knife this very windy February morning.

8"x10" oil study ($90.)

"Winter Brilliance"

Just left of yesterdays painting is a river and little waterfall. The waterfall was what I really wanted to paint with part rushing water and part frozen water. But I started too late in the morning and the bright sun washed out the scene so I used the dam as an abstracted element to hopefully keep your eye from falling out of the painting and lead you into the cool shadows cast by the trees on the far bank.

10"x8" Oil ($190.)

"Winter Passage"

I love to paint. So instead of playing on the computer and keeping my website and blogspot updated, I've been painting. Getting on the computer eats my painting time. Anyone else have this problem?

This painting was done right around the corner from my home. The long cool shadows and the warm brush caught my eye. But someday I'm going to return to paint this elegant corner building. Someone told me it was originally a bar about 100 years ago.

10"x8" Oil on Linen ($190.)

p.s. see Karen Phipps 2/11/09 painting. She's standing about 40 feet behind and down hill from me. I'm in her painting, painting this piece.

January (North Pond)

The best way to shake away the winter blues is to plein air paint along a half frozen lake, just kidding - sort of. After spending so much time with wonderful family and friends, January 6 was rather depressing until I started painting again. Even though my toes froze and the wind bite my cheeks, I loved the colors you see on a cold, gray, winter day. The sky had these amazing warm tones however very subtle and the snow reflected the cool light of the day. fun fun fun

8x10

Oil on Linen

Value Study (Claudia)

Once again I painted from life at the Palette and Chisel during their open studio session. This model held a very difficult pose. She crossed and bent her legs and arms. The awkward diagonal thing is part of her arm with her hand tucked under her hair. I think I did better with the values today but I'm not happy with the semi-stiff dough figure. Guess I'll just have to keep going back. It's a journey...

14"x10"

Oil on Linen

untitled

A fall storm is about to hit. Actually the chill feels like winter is right around the corner. I used only one brush because I was so cold I think I was frozen stiff. Maybe I'm getting to old to plein air paint in the winter.

8"x10"

Oil on Linen

($145.)

"November Chill"

It was wicked cold when I painted this but the lighting was beautiful.

7"x5"

Oil on Linen

($75.)