
After a couple of days of heavy rains and flooding I was finally able to get back outside and paint. This is our over-flowing river creeping towards our library.
6"x8"
Oil
($145.)
Plein Air Journaling


This might be my new favorite spot to paint. My concern with this piece is that because of my compositional choice, it became too abstract to understand that I painted the water complete with reflections, lily pads and a bit of the foliage edging the pond. I really responded to the newly beginning fall colors.
Painted early in the morning with a palette knife. I was after capturing the feeling of the hazy light which caused the buildings to filtering in and out of view.
It doesn't take me long to make a mess even after spending hours cleaning my piles. But I think the mess makes a more interesting painting highlighted by artifical lighting.

Palette knife painting of black grapes with artificial light.
One more attempt to capture the early morning serenity at Montrose Harbor. I would have loved to have been on one of those sailboats.
Tarnished copper is one of my favorite subjects. I used artificial light since it was still dark when I painted this.
I went to the market looking for those large, round, midnight blue grapes. Unfortunately they were not available. So I focused my energy on this fat clump of red grapes using a palette knife once again.
This morning I painted one of my favorite cups for drinking tea. It's rather old and the spoon was my great grandmother -inlaws. I like painting objects that once belonged to family.
20"x20"
http://www.hong-sammons.com/
Karen Phipps, plein air painting buddy, fantastic paintings has inspired me to work larger in plein air. But I lost the original light after about 1 1/2 hours so I'll return tomorrow to finish. I started the piece with a large flat brush to lay in the composition and quickly switched to a large palette knife. The skyline will be in the background with the small lake and reflections in the foreground.

12"x6"

Cars intimidate me so what better way to face my fear then go to the local repair shop. Although I tucked in two cars, the several others waiting to be serviced mysterious do not appear in my painting.
Inspired by the "Huntington Hottie."
This morning I painted a street scene with a few other plein air painters. I'm really loving this skinning format. I think it's because it gives me just a slice, a suggestion, of what's going on.